This one’s a guest post from sisters Kate & Liz Corr, who write together, on the positives and negatives of writing together. Their debut novel, The Witch’s Kiss, is out now – and a sequel (The Witch’s Tears) is on the way in Januray, published by Harpercollins!
“Writing with your sister? That’s strange. If I had to work with my sister [or brother, or other relative] I’d have killed her by now.” That’s what people often say when they hear that we write books together. And yet, we’re both still alive. So far…
We started working together about four years ago. What began as an exercise in mutual support for our solo writing efforts quickly turned into a collaboration: it was just more fun. And it’s easier. No need to try the patience of your friend / beta reader / editor. With a sibling co-author, there’s always someone else available who cares just as passionately about the fictional world you’re currently inhabiting as you do.
Of course, it helps that we get along really, really well. Our writing styles are similar, and our strengths and weakness complement each other. One of us is better at dialogue, the other at constructing scenes. One of us likes our characters to have happy endings, the other one… not so much. And then, there’s a big overlap of stuff that we both enjoy in terms of books and films. Science fiction and fantasy (obviously) are dear to both of our hearts. Growing up, we were particularly drawn to books that included a strong family dynamic: The Dark is Rising, The Lion, The Witch & The Wardrobe, Pride & Prejudice, Little Women. Books where the family, even if it was slightly dysfunctional, was important.
In a way, we’ve written what we know. Our mum was ill for a lot of our childhood and she died relatively young, so we’ve always relied a lot on each other. It’s this sort of closeness that we wanted to reflect in The Witch’s Kiss. There is romance in our story, between Merry (the unwilling teenage witch) and Jack (the Anglo-Saxon prince who is our sleeping beauty). But romantic relationships aren’t,
obviously, the only significant ties in people’s lives. At least as important in The Witch’s Kiss is the bond between Merry and her elder brother, Leo. They bicker, they dislike each other’s friends and they challenge each other’s actions. But at the same time they are utterly supportive of each other. They have each other’s backs, and they make each other laugh.
And that’s what we do, too. It’s a rare writing or editing session that doesn’t see us collapsing into laughter, even if we’re only communicating over the phone or via text message. Sometimes we argue. But that’s ok, because we both know we can say what we like; the other one isn’t going to take offence and storm off, or lapse into passive aggressive silence. We have to be organised – much easier now, with everything stored in the cloud – and we have to compromise. But it’s worth it. Like Merry and Leo, or salt and pepper, or chocolate and strawberries (at least in our opinion), we’re better together.