The YA Shot Blog Tour – Interview with JENNY DOWNHAM

When I was asked to take part in this year’s YA Shot Blog Tour, naturally I jumped at the chance – it’s always good fun to take part in community events like this. Then, when I was told the author I had been given I nearly exploded – JENNY DOWNHAM. JENNY FREAKING DOWNHAM. Author of the outstanding Unbecoming, You Against Me, and Before I Die, she’s one of the best YA novelists working in the UK today – if not the world. I was lucky enough to interview her, and you can read her answers below…

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1. Hello Jenny! Thank you so much for agreeing to do this little interview – I’m a massive fan of your books so it’s a huge honour to be talking with you. Maybe we could start with you telling us a little about your latest book, Unbecoming?

Katie is seventeen and in love with someone whose identity she can’t reveal. Her mother Caroline, is uptight, worn out and about to find her past catching up with her. Katie’s grandmother, Mary, is back with the family after years of mysterious absence and ‘capable of anything,’ despite suffering from Alzheimer’s.

Every morning Mary runs away. She’s desperate to find something, says it’s imperative, but when questioned, can’t be more specific. Katie wants to know what Mary’s looking for. She also wants to know why her mother seems to detest Mary. What was the nature of their original estrangement? It makes Katie question everything she thought was true about her family.

So – three women at different stages of life bound together by a web of lies that only the youngest can untangle.

Oh, and it’s a love story too…

2. Unbecoming covers so many themes – from mental health to sexuality. Did you set out to cover so many topics, or did they evolve natural as the story progressed?

I don’t really think in terms of themes or topics when I begin a project, I’m more interested in characters and the stories they have to tell. I start with them and see where they lead me.

Pinter said a writer’s job is to ‘arrange and listen.’ He believed that characters arrive at their destination through their own impulses, rather than being manipulated to suit a pre-ordained plot. I love writing this way, although it can be time-consuming!

It’s usually about a year or so into a project that I begin to see what I might be writing about.

3. You’ve mentioned in interviews that a lot of Unbecoming drew from your own mother’s Alzheimer’s. Was it taxing to write about a subject so close to your heart, or did you find it cathartic to put it on the page?

Unbecoming is undoubtedly the most personal of my books. I have been a teenager, a mother and a carer and a lot of my own experiences are in there. But perhaps most importantly, yes – my own mother had Alzheimer’s and became very unwell and died while I was writing.

I found it very cathartic writing the book. I used to care for my mum during the day and then I’d go home and try to imagine what it might be like to ‘be’ her. I like to think that writing about the erosion of memory from a sufferer’s perspective made me a better daughter and carer in my mum’s last months.

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4. You talk about some very intense subjects in all your books (Terminal illness in Before I Die, Sexual Assault in You Against Me) – Do you feel it’s important for YA literature to look at these ideas?

When I’m sitting inside the story writing it, I don’t think about themes or ideas, I just get drawn to interesting characters and dramatic situations. My job is to ensure the characters are emotionally truthful and then I find that they lift off the page and begin to tell their stories themselves.

As for what’s ‘important.’ I want to take readers on a journey, rather than give them a message to take away. Books can address difficult situations and confront social issues and help readers deal with real-life challenges. They can transport you, make you think, move you… the list is endless. I hope my readers shift allegiance over and over again with the characters in Unbecoming. I hope they empathise with teenage Mary in her claustrophobic 1950s town and teenage Katie with all her problems at school and home. I hope readers wonder, “What would I do if that were me?” And I hope, by the book’s end, the reader feels they’ve been somewhere and seen some things and that perhaps the world looks slightly different now.

5. YA has been accused of being “too dark” in recent years – do you think that’s true? Are there any subjects you don’t think teenagers and young adults should be reading about?

The LIVES of children and teens are full of tough things. It’s illusory to think we can keep them safe by only allowing them access to certain books. We need to find the joy among the difficult stuff, rather than ignoring the difficult stuff. I don’t think there’s a single subject that can’t be tackled in YA, so long as the author handles the material truthfully and with respect and takes account of all the complexities.

6. Do you have a favourite out of your characters?

I love them all after spending so much time with them – even the difficult ones! But perhaps Tessa in Before I Die has a particularly special place in my heart because her story doesn’t continue beyond the page. I’m very aware of her death date each year and I think how old she would be had she lived.

Dakota Fanning in the movie adaptation Now Is Good

Dakota Fanning as Tessa in the movie adaptation Now Is Good

7. How does a new story start to unfold for you? Do you plan meticulously or start writing and see where it leads?

I never plan. When I’m in the middle of a project and every day I’m throwing thousands of words in the bin, I wish with all my heart that I could be the kind of writer who could follow a path. However, when the book is complete, I’m rather proud that I didn’t need one. At that point, I think it’s exactly the best kind of writing habit and fully resolve to do exactly the same for my next book!

8. Do you treat writing like a full time job? Is your writing day structured or do you only write when the mood takes you?

When I know where a project is going (so about 18 months in), I can write every day and be quite disciplined. Before that, while I’m still exploring, I idle my way in. Most of my writing in the early stage gets chucked, but I find I return again and again to the things that preoccupy and eventually I begin to see what the book might be about. It’s a slow process. And involves lots of coffee and day-dreaming.

9. Why do you write YA?

Because young people are on the cusp of adulthood and that interests me. A teen protagonist can do almost everything an adult can, but because they are boundaried by adult rules and expectations, they have to be far more creative to get what they want. It’s much more exciting to tell a story when there are lots of obstacles in the way.

Also, YA is a happening gig! There are so many books being published in the UK and Ireland that wouldn’t have seen the light of day in past years and would still not be published in many other places in the world. More readers are seeing their own lives represented within stories and this enables them to think not only, ‘What would I do if that happened to me?’ But also to think, ‘That is happening to me.’ Books can sometimes give you the very thing you need – the clue to solve a problem, the strength to keep going, the laughter that makes things more manageable and, perhaps most importantly – the feeling you’re not alone.

10. Who are some of your favourite authors, YA or otherwise?

As a young reader I devoured poetry, folk and fairy tales (Grimm, Andersen), and stories from the Arabian Nights and Ancient Greece. Now I love Raymond Carver, Donna Tartt, Denis Johnson, Ali Smith, Toni Morrison, Maggie O’Farrell, Tove Jansson, John Irving and Kate Atkinson amongst many others. I try to read as a writer might – with one eye and half my brain looking for just how this author make this character so believable, or that sentence so beautiful, or this story such a pageturner…

11. If they made a Jenny Downham action figure, what three accessories would it come with?

Assorted disguises, working wings and a mini espresso maker.

12. Can you tell us what you’re working on next?

I’ve started something new, but it’s very early days. All I have are voices at the moment and I have no idea where they’ll take me. If I had to sum it up so far I’d say it’s about a girl who is furious! She wants her life to be very different and is determined to make it happen.


And that’s your lot! I’d like to thank the YA Shot Team, Carolyn at David Fickling Books, and of course – Jenny herself, for helping put all this together.

You can pick up a copy of Unbecoming just here.

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UKYACX Blog Tour! Partners in Crime – A word from authors Kate & Liz Corr…

This one’s a guest post from sisters Kate & Liz Corr, who write together, on the positives and negatives of writing together. Their debut novel, The Witch’s Kiss, is out now – and a sequel (The Witch’s Tears) is on the way in Januray, published by Harpercollins!


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“Writing with your sister? That’s strange. If I had to work with my sister [or brother, or other relative] I’d have killed her by now.” That’s what people often say when they hear that we write books together. And yet, we’re both still alive. So far…

We started working together about four years ago. What began as an exercise in mutual support for our solo writing efforts quickly turned into a collaboration: it was just more fun. And it’s easier. No need to try the patience of your friend / beta reader / editor. With a sibling co-author, there’s always someone else available who cares just as passionately about the fictional world you’re currently inhabiting as you do.

Of course, it helps that we get along really, really well. Our writing styles are similar, and our strengths and weakness complement each other. One of us is better at dialogue, the other at constructing scenes. One of us likes our characters to have happy endings, the other one… not so much. And then, there’s a big overlap of stuff that we both enjoy in terms of books and films. Science fiction and fantasy (obviously) are dear to both of our hearts. Growing up, we were particularly drawn to books that included a strong family dynamic: The Dark is Rising, The Lion, The Witch & The Wardrobe, Pride & Prejudice, Little Women. Books where the family, even if it was slightly dysfunctional, was important.

In a way, we’ve written what we know. Our mum was ill for a lot of our childhood and she died relatively young, so we’ve always relied a lot on each other. It’s this sort of closeness that we wanted to reflect in The Witch’s Kiss. There is romance in our story, between Merry (the unwilling teenage witch) and Jack (the Anglo-Saxon prince who is our sleeping beauty). But romantic relationships aren’t,

obviously, the only significant ties in people’s lives. At least as important in The Witch’s Kiss is the bond between Merry and her elder brother, Leo. They bicker, they dislike each other’s friends and they challenge each other’s actions. But at the same time they are utterly supportive of each other. They have each other’s backs, and they make each other laugh.

And that’s what we do, too. It’s a rare writing or editing session that doesn’t see us collapsing into laughter, even if we’re only communicating over the phone or via text message. Sometimes we argue. But that’s ok, because we both know we can say what we like; the other one isn’t going to take offence and storm off, or lapse into passive aggressive silence. We have to be organised – much easier now, with everything stored in the cloud – and we have to compromise. But it’s worth it. Like Merry and Leo, or salt and pepper, or chocolate and strawberries (at least in our opinion), we’re better together.


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UKMG Interview with SF Said – Author of Varjak Paw & Pheonix

This year, after the massive success of last year’s UKYA Extravaganza, is the very first EVER UKMG Extravaganza! For those of you who maybe don’t know, MG refers to Middle Grade fiction, more commonly in the UK known as 9-12, but it can straddle the line into Teen Fiction too, so more the 11-14 bracket in many cases. The UK has a wonderful history of books for this age – maybe even the best of all time, Harry Potter, and much like the UKYA community has picked up momentum in the last few years, the UKMG movement is just starting up right now online and through small events. For this blog tour, I’ve been locked in a steel cage deep underwater with SF Said, author of two Varjak Paw novels, as well as the Superhero-esque Phoenix. (Watch the book trailer HERE)

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Bonjour, Hola, Konichiwa and welcome! Thanks ever so much for coming and letting me fire off questions at you with all the intensity of a million stars. Why don’t you tell us a bit about your books?

Thank you! I’m looking forward to questions with all the intensity of stars, because Phoenix is all about the stars!

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The main characters in Phoenix are a human boy who has the power of a star inside him, and an alien girl who is the most brilliant fighter in the galaxy. It begins with the boy dreaming that the stars are singing to him, and it ends with the two of them facing the end of all worlds. So it’s a great big space epic, on the scale of something like Star Wars.

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The Varjak Paw books are built on a smaller scale, but I think they also have a superheroic element. They’re about a cat wants to become a great warrior. In his dreams, he learns a secret martial art known only to cats. And this helps him to survive on his own in a dark and dangerous city.

What made you first start to write books for younger readers? Was that something you actively went for?

I always knew I wanted to be some kind of writer, but I never found literary fiction very satisfying. Then at university, I read and re-read lots of books for young readers, like Ursula Le Guin’s Earthsea novels, and the mythic stories written by Alan Garner and Susan Cooper.

These were exactly the kinds of books I wanted to write: hugely powerful page-turning stories with brilliant characters, richly-imagined worlds, and big questions about life and how it should be lived. Books with a lot of depth and levels, which could be read at different ages in different ways. Modern myths, really. So that was what I set out to write.

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Varjak Paw is such a phenomenal character! Where did you dream up this idea of a martial artist cat?

Thank you! I have to admit, Varjak Paw didn’t begin with the idea of a cat doing martial arts. It began with me watching my own cat as he went outside for the first time, as a kitten. I started to write a story about a kitten going out on his own into a dangerous city. What was he going to need, to survive? The idea of a martial arts for cats evolved from there.

This martial art is called the Way of Jalal. There are seven skills: skills for hunting, skills for fighting, skills for stealth, and so on. They have names like Shadow-Walking, Slow-Time, and Moving Circles. They developed as the story developed, in response to the story’s needs. Story generally drives everything in my books.

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How was working with the massively talented Dave McKean? Did you have ideas for his illustrations in the book, or was it all his own work based on your words?

Dave McKean is one of my heroes, and has been ever since I read the comics he made in the 1990s. So on Varjak Paw, I was a bit in awe of him, and couldn’t quite believe he was working on my story. I just gave him the text, and it came back looking like it does in the finished book. All the incredible things he does – not just with pictures, but with design, typography, even the use of white space – all came from him.

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While I was writing Phoenix, though, we were having all sorts of adventures in Hollywood, trying to make a Varjak Paw movie. (Which still hasn’t happened, but if anyone out there has $15 million to spare, we can find a good use for it!) Anyway, we became friends and collaborators while doing this, so the process of making Phoenix was different.

This time I gave him all sorts of stuff to work with. Everything from space photography made by the Hubble Telescope, because Phoenix is set in space, to images of gods and goddesses, because the story makes connections between astral science and ancient myth. He told me later that the most useful thing I gave him was a CD of Sigur Ros music. I thought it sounded like the stars singing, and I told him if he could make illustrations that looked like the music sounded, they’d be perfect. Incredibly, he did – and they are!

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Phoenix is a bit of a change, and a bit of an older piece of fiction, where did that stem from?

I don’t think about ages when I write. I like the idea of books for everyone: stories that anyone can enjoy, whoever they are, however old they are, whatever gender they are. I’m aiming to write modern myths, as I say, and I think myths are ageless and timeless. They transcend all categories.

But I was definitely setting out to do something bigger and more ambitious with Phoenix; I wanted to take a step up in my writing. Because the story is all about the stars, the scale had to be huge. So it ended up three times the length of Varjak Paw.

That might make people think it’s older. But I’ve met 9 year olds who read Phoenix in a day, and teenagers who’ve done the same. It’s a big story, but I hope it’s a page-turning, thrilling story too.

Was it a challenge to create this alien universe to try and work within, or was it all fully formed in your brain tank?

It was a huge challenge, and it took me a long time! It took seven years to get Phoenix as good as I possibly could, which is always my aim with each book.

The hardest part was the mythic background to the story. The aliens in Phoenix believe that all the mythological gods and goddesses are really stars who come down from the sky. They take different forms in different times, but they’re always the same immortal beings, returning again and again through history. They call them the Twelve Astraeus.

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Originally, I wrote lots of material about the Twelve Astraeus, to explain this background. But it was impossible to write prose powerful enough to describe them. After all, gods and stars should be mysterious and awe-inspiring beyond words! Then I decided to describe them through illustrations. I gave Dave a list of the Twelve Astraeus, with their names and attributes in different mythologies (Greek, Roman, Norse, Egyptian, Mesopotamian etc.) The images he created have exactly the sense of mystery and awe that I wanted.

I also wrote song fragments to go with the pictures, which give you hints about them. So when readers encounter the Astraeus Of The Sea, for example, they can work out for themselves that this is the being who’s been called Poseidon, Neptune, and so on. Even if they don’t, they’ll feel who he is, without being told. I find that much more powerful and evocative than ordinary prose – but it took me a long time to work out the best way to do it!

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How do you decide what things you can tackle in MG, and what’s best left for the YA sphere?

I’m probably not the best person to ask, because as I say, I don’t think about ages. I just try to write books that everyone can read.

I personally don’t see a vast difference between different categories of fiction. A great story is a great story. I read across all categories myself, and did when I was a kid. As soon as I could read on my own, I wanted to read EVERYTHING. And so now as a writer, I put everything I care about and everything I love into my books. And anyone who wants to read them is welcome.

Why is MG such an important age bracket of young readers? Why do you think it’s such a vital part of a child’s reading evolution?

I think the books we read when we’re young shape us and stay with us forever. So while I’m not a big fan of categories, I do think those books are the most important books of all.

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Watership Down is a book that changed my life. I read it when I was 8, and thought it was the best book I’d ever read. I remember thinking that one day, I wanted to try and write something even half as good as it. I re-read it when I was 35, and I thought it was even better! At 8, I’d seen a thrilling adventure story about rabbits; now I saw politics, philosophy, mythology, all working together on different levels.

It was amazing to realise how deeply it had shaped my own imagination. I can see the roots of everything I want to do as a writer in that book. So it changed my life, and I think most of us have had similar experiences in childhood. What could be more important than that?!

For the love of all that is pure, WHAT ARE YOU WRITING NEXT?!

I’m writing a book called TYGER. I can’t say too much about it, as my books always change a lot as I work on them. But I can tell you that it’s partly inspired by William Blake’s amazing poem The Tyger!

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If they made a film of any of your books, would you try and cast yourself in them?

Good heavens, no! I don’t even have pictures of myself on my books. I’d rather people engaged with the story without the writer getting in the way.

Tell us about your ideal writing environment. Is writing a full time deal for you?

Writing is very much a full time deal for me. I write in my local library. There are no distractions there, and everyone else is working, so I just get down to work. If I try to write at home, the temptation to look at the internet is just too big. Especially Twitter. I can always justify it as ‘research’. But if you really want to write, you need to immerse yourself in writing, and not do anything else.

Have you always wanted to write?

Yes. I’ve always loved books and stories, and I’ve always wanted to make my own.

What does the UKMG community mean to you? Is it exciting to be there to watch it as it takes its tiny first baby steps?

I think it’s a wonderful thing. I’m so excited about UKMG Extravaganza, and I would be even if I wasn’t taking part! When I started out, being a children’s writer was quite a solitary thing. Sometimes I’d meet other writers at publishing events, but that was about it. In everyday life, I didn’t meet many other people who loved children’s books or even took them seriously.

Now, I’m in constant conversation with them. I love the fact that people who love children’s books are talking to each other in events like UKMG Extravaganza, and on places like Twitter, through hashtag chats like #ukmgchat. And this isn’t just writers, but readers, bloggers, vloggers, booksellers, librarians, teachers – there’s no end to it. It’s brilliant being connected to such a thing, because it makes you feel like you’re not alone. There are thousands of other people who love books just as much as you do!

What UKMG authors make you happy? Who’s books should we all be rushing out to grab from shelves right this second?

So many! In terms of classics, I love Rudyard Kipling, E Nesbit, CS Lewis, Rosemary Sutcliffe, Alan Garner, Susan Cooper…

More recently, I’d have to mention Philip Pullman’s His Dark Materials, JK Rowling’s Harry Potter, Peter Dickinson’s The Kin – an epic sequence about human origins that I think deserves to be as well known as widely read as Michelle Paver’s Outcast books – which I also love! I think Jonathan Stroud is a fantastic writer. Francesca Simon’s The Lost Gods and Kate Saunders’s Five Children On The Western Front are two books that I think of as classics already. I could go on. And on…

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What books did you read growing up that inspired you as a writer and as a reader and as a human being?

Ursula Le Guin’s books inspire me in every possible way. The Earthsea books showed me that children’s literature could be great literature. The Dispossessed became a key book for me; I still re-read it every few years. Its portrayal of a society built on anarchist principles inspires me, as does its depiction of relationships built on equality. So it doesn’t just inspire me as a writer; it’s a book I aspire to live by.

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Do you get much fan mail? What’s your best response you’ve had from one of your readers?

I love hearing from readers. I’m a lot better at replying to comments on my website than I am to actual letters, for some reason. But any time anyone tells me that one of my books meant something to them – that’s amazing.

When I hear from people who say they didn’t like books before, but then they read one of mine and now they can’t stop reading – that’s just mind-blowing.

And when I hear from people who read one of my books as a child, kept it through their whole childhood, and now still enjoy it as adults – well, I don’t have words for that.

One of the nice things about MG is how engaging and excitable children are at that age – do you get out to many events with kids? Is that something you enjoy getting involved in?

I visit a lot of schools; about one a week on average at the moment. I visit both primaries and secondaries. I do enjoy it – it’s always good to meet readers, and see what they’re interested in. I always ask for book recommendations, and have found some great reads that way.

What would your Patronus be?

A librarian?

If they made an SF Said action figure, what accessories would it come with?

Portable tea mug to take to the library. Vellum paper and fountain pen with Havana ink for first draft. Laptop and printer for subsequent drafts. Headphones and iPod for all-important writing music. (The Cure for Varjak Paw; Sigur Ros for Phoenix; Godspeed You Black Emperor for Tyger!)

If you could be ANY mythical creature, what would you want to be?

A writer who can write a great book in just one go. Because that is a TOTALLY mythical creature!

Would you rather fight one-hundred duck sized horses or one horse sized duck?

I like the idea of tiny horses. I would want to be friends with them. Whereas I find the idea of a horse sized duck a bit threatening. That’s a very big duck.

What’s on your To-Be-Read pile?

There isn’t a To-Be-Read pile. There’s a To-Be-Read mountain. There are so many books I need to read, and I’m a slow reader, so realistically, I know I’m never going to read them all. I could never even list them all!

But some books currently in the mountain were written by other authors taking part in UKMG Extravaganza: Allan Buroughs’s Ironheart, Emma Carroll’s In Darkling Wood, Jo Cotterill’s Looking At The Stars, Abi Elphinstone’s The Dreamsnatcher, Candy Gourlay’s Shine, Julia Lee’s The Mysterious Misadventures Of Clemency Wrigglesworth, Helen Peters’s The Farm Beneath The Water, and many many more!


 

Thanks for being on the blog SF Said! Don’t forget to check out the #ukmgchat for more great recommendations and discussions about Children’s Literature.

And thanks for reading,

D

GUEST POST: Sister Spooky picks her Top Ten!

It’s always nice to have someone else write a blog post for me… The amazingly talented YA Blogger Sister Spooky, who runs her own book blog over at sisterspooky.co.uk, was kind enough to discuss her very own top ten books that “Made Her”, tying in with the current Waterstones campaign! Here’s what she had to say.

Sister Spooky herself!

Sister Spooky herself!

The Book that made me love reading

Matilda by Roald Dahl

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I read this when I was a child and completely bonded with the character of Matilda as a book loving outsider with a sense of adventure and desire to do big things in her life.  I wanted to be her so much and I still think of her as a hero.

The Book that made me want to feel everything

Perks of Being A Wallflower by Stephen Chbosky

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Oh God! This Book! SOOOO MANY FEELINGS!  I said I hadn’t read this book and C.J.Skuse told me “it was sorted” and then it arrived in the post.  I can’t stop thanking C.J. for sending me this book.  It’s one of those books that stay with you forever.  It’ll change the way you think about books and the power of the written word.

 

The book that made me wish every day was a Sunday

The Essential Calvin and Hobbes by Bill Watterson

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Calvin and Hobbes was introduced to me last year and the person who handed me this world will always get a hug from me.  Perfect Sunday reading, funny for any age and has that simple bit of childhood you always try to recapture as a grown up in one lovely collection.

 

The Book that made me realise that YA could think big

Noughts and Crosses by Malorie Blackman

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I read this book some time ago, way before I even heard of book blogging and couldn’t believe how powerful it was.  The story had BIG ideas and messages to give the reader and I realised after reading it that books could say important things as well as entertain.

 

The Book that made me want to be an adventurer again

Mortal Engines by Philip Reeve

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A truly special book from a writer that needs to be knighted (thus why I refer to him as Sir Reeve).  A book full of adventure that made me want to have that bit of adventure in my life again and want to be an adventurer in my own way.

 

The Book that made me grow up

The Secret Diary of Adrian Mole Aged 13 and 3/4 by Sue Townsend

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When I was a young teen I was still stuck reading children’s books and wanted something grown up and my Mum gave me this having read it as a teenager herself.  It was the book I read and loved straight away and shocked me that I enjoyed reading something from a boy’s POV.  Plus it made me want to grow up into the teenage years and know things would likely be rubbish at times but you survive.

 

The Book that made me think outside the box

The Man by Raymond Briggs

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I didn’t realise that there were such things as graphic novels when I was younger and I read this thinking it was just a picture book.  This is what I’d call a graphic novel for those that need a starting ground into that world.  It’s a story of a very small man that is grumpy and old and cared for by a boy.  It’s sad, funny and beautifully illustrated.  It’s the book that made me realise that you don’t have to read traditionally written books to find real stories.  Pictures can speak just as much as words do.

 

The Book that made my childhood

Winnie The Pooh by A.A.Milne

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I adore Winnie the Pooh.  He taught me life lessons and not to try and squeeze through holes for fear of being stuck.  It taught me about love, friends, being brave and being sad, then happy again.  I will always love Pooh Bear.

 

The Book that made my heart of stone crack

The Book Thief by Markus Zusak

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I read this book not really expecting much from it because I’d been given a copy as a gift and didn’t know much about it.  This book is such genius and utterly moving that it made me tear up.  I’m a hard nut to crack so for me to admit to reacting like this to a book is a MASSIVE deal.  It’s told from the perspective of Death and about the life of a child in Nazi Germany and the horrors that unfolds.  Read it with tissues to hand.

 

The Book that made me love the fact I was a blogger

Geekhood by Andy Robb

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I had to put this one in here because not only is it very funny and a contemporary book but it sort of changed the blogging game for me.  It was the first book I was ever quoted in, the first book I felt so passionate about that I shouted about it in every way I could and it was the first book I read as a proof and saw something special and thought “I have to get on board with this one”.  Everyone I’ve recommended it to have come back to me to say it was brilliant and I feel sort of pleased I could help support a new writer with my blog and see the feedback on it.

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I’d like to thank Sister Spooky for taking part & scouring her brains for her top ten books that made her!

Again, her brilliant blog is over at sisterspooky.co.uk, or you can find her on Twitter (@SisterSpooky)!

As always, feel free to discuss your books, both here, on Twitter (Hashtag #tbtmm) or on the Waterstones microsite!

Until next time!

D

P.S. My own Top Ten